Project The Clothed Figure: Check and Log

1 - 6B Pencil in A4 Sketchbook

Did you find it easy to approach the figure as a whole or were you distracted by details of the sitters dress?

The way I chose the poses and the type of cloth that I draped my model in  made it easy for me to approach the figure as a whole. The folds and shadows helped me to accentuate the models shape in both poses.

3 - Colour Pastel on Pastel Paper
3 – Colour Pastel on Pastel Paper

How did you create volume in the folds of fabric?

I would have to say hatching and curved hatching, as well as use of light and shade, I did my best to depict the certain types of folds as researched from George Bridgman and described in the ‘Fabric with Line and Form‘ exercise.

Does the finished drawing give a sense of the figure beneath the fabric?

Yes, every limb and every curve including the gap between the rib cage and the  convex shape of the pelvis.

How would you tackle a drawing like this again?

I would have to say, slower and in a lot more detail, iI liked the outcome of the three drawings but I feel spending a lot more time on them can improve quality of outcome. I would also love to have a go on larger sheets of paper in charcoal.

1 - 6B Pencil in A4 Sketchbook
1 – 6B Pencil in A4 Sketchbook

 

Advertisements

One thought on “Project The Clothed Figure: Check and Log

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s