Did you find it easy to approach the figure as a whole or were you distracted by details of the sitters dress?
The way I chose the poses and the type of cloth that I draped my model in made it easy for me to approach the figure as a whole. The folds and shadows helped me to accentuate the models shape in both poses.
How did you create volume in the folds of fabric?
I would have to say hatching and curved hatching, as well as use of light and shade, I did my best to depict the certain types of folds as researched from George Bridgman and described in the ‘Fabric with Line and Form‘ exercise.
Does the finished drawing give a sense of the figure beneath the fabric?
Yes, every limb and every curve including the gap between the rib cage and the convex shape of the pelvis.
How would you tackle a drawing like this again?
I would have to say, slower and in a lot more detail, iI liked the outcome of the three drawings but I feel spending a lot more time on them can improve quality of outcome. I would also love to have a go on larger sheets of paper in charcoal.
‘Fabric with line and form’, don’t know how I missed that bit. I read it several times as well as in the brief but when it came to the exercise I did two 15 minute sketches using hatching. I can see why we were asked to do it in ‘line only’, so that we would notice the patterns, repetitive folds and the types of folds appear in the cloth.
In his book A Complete Guide to Drawing from life George Bridgman proposed that there are laws of folds, Diaper, Zig Zag, Pipe or Cord, Half Lock, Drop, Spiral and inert, several of which were quite noticeable in the 2 pieces of Monk’s robe cloth that I screwed up and placed on a stool on top of each other.
In the first drawing the types of folds that are most obvious are zig zag, half lock and spiral, with the Zig Zag’s repeating across the surface of the cloth.
In the second drawing which I drew from the other side and at a distance in charcoal these folds were not that obvious and I found myself drawing the inert folds, and I think, half lock.
I kind of cheated for the next part of the exercise, the brief told us to make 5 minute drawings in 5 cm boxes mine were closer to ten centimetres. All of which were 5 minutes apart from the orange pastel on coloured paper which took just over 10, because I got carried away. Again you can see most of the folds that Bridgman described in his book including ‘Pipe’ in drawings 3 and 5 which are almost the same section of cloth.